Following the Atlantic to the Azores

What pulls us somewhere?

For Autumn ’26 Drop 2, that question took us to the Azores. Sitting far out in the Atlantic, the islands lie along migration routes used by whales, dolphins and other marine life moving through changing waters throughout the year.

We went there to experience that movement up close.

Three days on the Atlantic

The Azores are defined by their position in the ocean. Volcanic landscapes meet open water, the weather changes quickly and much of daily life remains connected to what happens at sea.

For three days, this became the setting for shooting our Marine Migrations campaign.

We moved around the island, photographed the Autumn ’26 collection across its landscape and headed out onto the Atlantic to better understand the migrations happening around us.

The campaign became as much about observing the environment as shooting within it.

Out on the waters

Whales cross oceans. Dolphins follow changing waters. Entire ecosystems move through this part of the Atlantic.

Their routes are influenced by currents, seasons, feeding grounds and changing conditions: movements happening on a scale much bigger than what we see from land.

Marine Migrations

The idea of movement runs through Autumn ’26 Drop 2.

The collection was captured between volcanic terrain and the Atlantic surrounding it. New seasonal layers, textures and silhouettes in front of changing landscapes and conditions, while the wider story looks at something more instinctive.

Because migration isn't unique to marine life. People move too. Towards new places, different environments, other people and ambitions. Sometimes out of free will. But sometimes it might be because something simply pulls us there.

Maybe we've become less accustomed to listening to that instinct.

Driven by the Currents

Marine Migrations is another chapter in a bigger story for Law of The Sea.

Driven by the Currents is about staying curious about the environments, people and stories connected by water. Going somewhere not just to use it as a backdrop, but to understand something about the place while we're there.

Three days in the middle of the Atlantic. Following migration, meeting people connected to the ocean and shooting where movement becomes visible.

Autumn ’26 Drop 2 Marine Migrations.